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The general consensus (never proven) seems to be that
there is more theatrical activity per capita in the Twin Cities
are than anywhere else in the nation, New York included. This book
therefore, is a humble attempt to make reader's a bit more aware
of Minnesota's theatrical heritage. The material is arranged in
four chronological divisions: Part One takes us from the soldier
shows at old Fort Snelling to 1883 when not one but two Grand Opera
Houses were constructed. Part Two ends with 1933, the date when
Buzz Bainbridge gave up his theatre to become mayor. Part Three
covers the thirty year interval between the demise of the Bainbridge
Players and the opening of The Guthrie, while Part Four is concerned
with the explosion of activity that immediately preceded and followed
the opening of The Gutherie.
A comprehensive survey of plays and players in Minnesota from 1821
... to the present. Forthright and lucid, it represents essential
information for students of American history, and pleasant and informative
reading for the general public. -- Choice
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